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Throwing back to ’99, when my sister and I modelled for Paul Smith.

It may have been a long time ago, but its proof that I was destined for fashion or better yet, fashion was destined for me! #90s





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ICB

ICB

Amongst those trending across the runway at New York Fashion Week is the pencil cut skirt with a split. Remaining at a respectable hight, the split works. Going for the chic casual look, AW15/16 ready-to-wear is defiantly something I can get on board with. Naturally, I love the orange skirt by ICB (guilty); not only because obviously its orange but the off-centre split is much more appealing, plus the mini skirt under layer, come-lining adds a certain depth to the skirt as a whole. Worn by the model quite casually, the structured skirt can also be dressed up with a change in top, shoes and accessories. #Love

Tibi and CC Chris Gelinas also went with the more casual look compare to both Altuzarra and Brandon Sun who went for slightly dressier alternatives. For me, Tibi’s cream/nude emsemble was a close second contender after ICB. Pairing the off-white leather skirt with a cream wooly jumper is definitely a look I can’t wait to see hit the streets come AW 15/16. The thick collar that borders on ‘polo neck’ is what stands out most for me. The Gelinas skirt in light khaki is also favourable. Its a slightly less fitted cut compare to the others nevertheless, it works. Personally, I wouldn’t have paired it with those socks or shoes and perhaps a cream blouse instead; but simply as a pencil skirt with a split; I like it. The latter however, I can not say the same for.  To me, the styling behind both the Brandon Sun and Altuzarra designs could have been executed better.

 

Back to black. After 5 days of endless designer shows across the capital, London Fashion Week presents a rather black outlook for Autumn/ Winter 2014. Whilst some catwalks showed off some colour, the consensus seemed to be pretty monochrome. Season after season, fashion week after fashion week and trend after trend; the world of fashion sees a colour take to both the runway and the high street, as the “new black”. However A/W 14 looks like it is going back to basics, as black takes over. Nevertheless, with such fashion evolution, digital design technology, alternative styles and twenty-first century influences, LFW exhibits ‘black’ as anything but “basic”!

Whilst there is nothing wrong with “classic black” and keeping things some what traditional, the designers of LFW prove that going ‘back to black’ is far from basic and show black in its most fashionable form.

Established in 2012, AW 14 is Simongao’s first Fashion Week. Simongao’s AW collection saw a majority of all black and all white outfits take to the runway, with some browns and greys in between the monochromes.

KTZ also kept it very mono chrome, for both the menswear and womenswear collections.

Whilst Simone Rocha introduced a pop of colour to the runway with completely red and mustard ensembles, the majority of her collection consisted of sole black outfits.

Fashion East presented a bit more colour throughout their AW show. Whilst pale tones of lime green, power pink and summer blues took to the runway, the common theme of black and white still took centre stage. However, unlike most of designer collections where B&W did appear as a duo, it was a subtler monochrome with bright whites over powering the minimal use of black.

Christopher Kane strikes again. Although this season’s collection strayed from bright colours and elaborate patterns and print that breath Kane, this AW saw sprinkles of colour in a mass of black. Creative black never the less. Following the black trend, Christopher Kane’s missing signature pattern and print was made up in texture, shape and structure. Fan like structures created by layers upon layers, bazaar structured sleeves and ruffled puffy synthetics made Kane’s AW 14 collection one to remember.


From velvets, wools and furs Tom Ford’s show also saw plenty of black ensembles sashayed down the runway, along side a few reds and browns.

Erdem’s show also explored plenty of luxurious velvet and his trade mark patterns were adapted through laser cut delicate designs, jacquard style material and quadrilateral sheers.


Pringle of Scotland remained simple yet elegant, as AW 14 brings in neat and tidy knits. Again keeping with the monochrome theme, however introducing a slightly lighter mood with more whites paired with less black.

John Rocha’s elaborate ruffles and one of a kind designs truly made an impression on this fashion week’s catwalk. All black but far from the ordinary and nothing like “classic black”.

Todd Lynn’s AW 14 collection remained consistent with dark theme; models wore all black down a just as black runway; exploring shadow to complete the dark feel that is AW.

Amanda Wakeley’s show saw creative panels, delicate sheers, thick waste belts and head to toe outfits take to the runway, as well as baggy and over sized outer wear to compete the AW look, also representing black as the “new black”.

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